Crisp morning, Piccadilly

18x24in
Oil on board
Framed

London is a constant source of inspiration for me, and I’ve spent a great deal of time painting there over the past three years. Capturing the city’s architecture—and the contrast between near and far elements—gives me the opportunity to challenge my drawing skills and explore more dynamic compositions.

I almost always use the sight-size method when painting en plein air, as I did for this piece, created on a crisp January morning in Piccadilly. It’s a bit of a hassle getting the easel set up in exactly the right spot, but it’s well worth the effort. The method allows you to fly through the drawing stage with precision and check any measurement or angle at a glance throughout the process.

I was greeted by this wonderfully fresh view of Piccadilly Circus the moment I stepped out of my hotel, just as the sun began to rise. I decided to paint it there and then.

As the sun crept higher, I focused on blocking in the tonal structure while the Swan & Edgar building was still catching both light and shadow on its façade. By the time I finished, the scene had filled with people rushing to work—but I chose to stay true to that first impression: calm, still, and full of morning potential.

You can securely make payments for artworks using credit or debit cards. We offer additional payment options as well.

We ship all artworks fully insured and use recyclable packaging with pride.

Subscribe to my newsletter for updates on exhibitions and new paintings.

Viewings are available by appointment. Please contact me by email at mail@nickgrove.com to arrange an appointment.

18x24in Oil on board Framed

London is a constant source of inspiration for me, and I’ve spent a great deal of time painting there over the past three years. Capturing the city’s architecture—and the contrast between near and far elements—gives me the opportunity to challenge my drawing skills and explore more dynamic compositions.

I almost always use the sight-size method when painting en plein air, as I did for this piece, created on a crisp January morning in Piccadilly. It’s a bit of a hassle getting the easel set up in exactly the right spot, but it’s well worth the effort. The method allows you to fly through the drawing stage with precision and check any measurement or angle at a glance throughout the process.

I was greeted by this wonderfully fresh view of Piccadilly Circus the moment I stepped out of my hotel, just as the sun began to rise. I decided to paint it there and then.

As the sun crept higher, I focused on blocking in the tonal structure while the Swan & Edgar building was still catching both light and shadow on its façade. By the time I finished, the scene had filled with people rushing to work—but I chose to stay true to that first impression: calm, still, and full of morning potential.

You can securely make payments for artworks using credit or debit cards. We offer additional payment options as well. We ship all artworks fully insured and use recyclable packaging with pride. Subscribe to my newsletter for updates on exhibitions and new paintings. Viewings are available by appointment. Please contact me by email at mail@nickgrove.com to arrange an appointment.

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All artworks are carefully packaged using recyclable materials where possible and shipped fully insured and tracked worldwide, directly from my studio in Stamford, UK.

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Our frames are handmade here in the UK by Period Frames, specialists in traditional, museum-quality presentation.

Paintings are finished in a Pisarro-style frame with imitation gold-leaf edging and are professionally dressed, ready to hang.

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Each piece is created from life — a real place and time where I breath in what I perceive and attempt to show you, the viewer, what I see and how it makes me feel. My artistoc journey has led me to direct observation from life. An objective and subjective truth I can share.

I’m very fortunate to be increasingly receiving commissions for paintings from all over the world. It is a tremendous honor to be employed in such a way, and it is very much appreciated. Without the trust and generosity of patrons, many artists simply wouldn’t be working, including me.

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